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LARRY SHUE (Playwright) was an actor and playwright best known for The Nerd and The Foreigner, both of which have played on Broadway and in regional theatres worldwide. His other plays include Siliasocles, Grandma Duck Is Dead, My Emperor’s New Clothes and Wenceslas Square. Before he took the position of Playwright-in-Residence at Milwaukee Repertory Theatre, Shue was first and foremost an actor, working in New York, Atlanta, Berkeley and Washington DC theatres, with appearances on TV’s One Life to Live and the films A Common Confusion and The Hungry Leaves. He also won two Obies and two New York Drama Critic Awards during his lifetime. His promising writing career was cut short when he was killed in a commuter plane crash in Virginia’s Shenandoah Valley. SHAUNN BAKER (Director) is thrilled to be returning to The Human Race for the second time, having directed Dirty Blonde in 2002. His work was also seen on the Loft stage in Bat Boy: The Musical for which he designed the video sequences. Shaunn is the Managing Partner of WorldStage Media which now concentrates on producing corporate videos, but which began life as a theatre company by producing The Complete Works of William Shakespeare (abridged) at the Engineers Club here in Dayton. DICK BLOCK (Scenic Designer) has designed a number of productions for The Human Race, including West Side Story, Spinning Into Butter, Of Mice and Men and, most recently, Steve Martin’s The Underpants. As a native it is always fun to return to Dayton and always a pleasure to work with this exciting company. His work has been seen at the Virginia Stage Company, Starlight Productions in Pittsburgh, the Weston Playhouse in Vermont, the Pittsburgh Public Theatre and the McCarter Theatre in New Jersey. Last Spring he was in Cairo designing the Feydeau farce, Silly Goose. He currently serves as the Associate Head of the School of Drama at Carnegie Mellon University and is a member of United Scenic Artists. He received his MFA from Northwestern University. MARY BETH McLAUGHLIN (Costume Designer) has designed numerous shows for The Human Race Theatre including: Crimes of the Heart, Was, The Odd Couple, Of Mice and Men, Over The River and Through The Woods, Death of a Salesman, Bat Boy, I Love You, You’re Perfect, Now Change, Seascape, Noises Off, Wit, Angels in America. She also has worked with Wright State University designing Biloxi Blues and One Flew over the Cuckoo’s Nest. Prior to The Human Race Theatre she worked for Dayton Ballet and American Stage Company in St. Petersburg, Florida. She has also designed specialty costumes for Kids Voting and United Way. JOHN RENSEL (Lighting Designer) is the president and co-founder of The Light Fantastic. John has designed productions for Victoria Theatre Association, Dayton Playhouse, Dayton Theatre Guild, Dayton Contemporary Dance Company, The Muse Machine, Fraze Pavilion and Northeast Regional Ballet Festivals. He is also the resident lighting designer for The Human Race, as well as Kettering Children’s Theatre and Dayton Philharmonic Orchestra Pops. CHARLIE PARKER (Sound Designer) spent his youth performing with rock and funk bands before finally settling in Dayton, handling sound and music for theatre, film, and video. He worked for a time in corporate staging and production and his involvement with theatre started in the late 90s with a couple of original scores for children’s productions at Town Hall Theatre in Centerville, where he later became the resident sound designer. He also performs music around Dayton from time to time, playing jazz or pop on keyboards, or accompanying belly dancers on one of the exotic percussion instruments he’s collected through the years. He is thrilled to be working with The Human Race and in the Loft Theatre. ELIZABETH GRUNENWALD (Production Stage Manager) is happy to be joining the Human Race for her first full season, her previous Human Race Credits include: The Retreat from Moscow, Green Gables and The Underpants. New York credits include: Blues for an Alabama Sky and Top Girls with NYU Tisch School for the Arts. Other Credits: Cabaret, Plaza Suite, and Peter Pan with Tri-arts at the Sharon Playhouse; The Legend of Sleepy Hollow with the Alabama Ballet; Romeo and Juliet and Elektra with the Cincinnati Opera. |
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